Rokh Fall 2025: Softening the Edges DATE: 2025-03-13 07:56:55
Saint Laurent Eyewear 592 square-frame tinted-lenses sunglasses Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights light beige acetate square frame grey tinted lenses sculpted arms curved tips UV-protective lenses All glasses from FARFETCH are sold as non-prescription frames. These glasses come with a protective case. Composition Acetate The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Product IDs FARFETCH ID: 20604672 Brand style ID: SL592
Rokh Fall 2025: Softening the Edges
Philipp Plein zip-up skull-embellished Hoodie Grey
PINKO American Pie cut-out short dress Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights black cotton blend technical poplin gathered tie neck sleeveless cut-out detailing concealed rear hook and zip fastening draped detailing asymmetric hem knee-length Composition Polyester, Cotton 79%, Polyamide 18%, Spandex/Elastane 3% The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Machine Wash The washing method is subject to the commercial washing standard Wearing The model is 1.78 m wearing size 40 Product IDs FARFETCH ID: 22950957 Brand style ID: 103433A1TX
For designer Rok Hwang, taking a sculptural approach isn’t about creating sharp-edged monoliths but about following the human hand’s shaping of material. A point of reference he named was renowned British studio potter Lucie Rie. “It kind of resonates with the idea of hand touch and a very poetic kind of construction that really assembles the collection,” he said backstage. “This is heavy construction but at the same time, we are breaking it.” If that sounded abstract, think of them as a building, like the under-renovation Parisian townhouse in which Hwang staged his show, which had “a beautiful historical kind of appeal but it’s been stripped down.” Owing to the London-based designer’s proclivity for collecting vintage, he revisited archetypal garments, balancing rigorous cuts with dramatic draped elements. There were showpieces to be sure, but it was precisely dosed and telegraphed a softer, more feminine energy even in more quotidian options. You May Also Like The best examples were a double-breasted coat with a square neckline, little high-necked blousons that could be unzipped vertically and horizontally, and a trench-polka dot dress hybrid. Here and there were also examples of textile manipulations, with tightly packed hand-shredded ruffles painstakingly assembled over the surface of a coat. Elsewhere, he used deconstruction as a way to build new wear options in puffy coats, zippered blousons and even knit sweaters with a detachable lower hem. It played well with his modular concept, with bubble skirts unfolding into sleeker variations thanks to ring clasps. Collection Gallery 41 Photos View Gallery Equally handsome and modular were his menswear silhouettes, a category that now amounts to around 20 percent of the business and growing, Hwang said. They cemented the impression of a brand that is keeping its eye solidly on real-world appeal.
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